Colle Val d’Elsa has been the capital of crystal for centuries, so much so that it has been nicknamed the Bohemia of Italy. Wine glasses, drinking glasses and plates are formed through a mix of craftsmanship and technique that can still be observed today, seeing the city produce almost all of this special glass in Italy. To learn the tricks and contemplate the art of glassblowing, delve into the Crystal Museum or attend demonstrations held in artisan workshops or check out the dedicated events in the historic center.
The oldest part of Colle, known as Colle Alta, is also the part that offers visitors atmospheres charged with history and incredible views. Strolling through the medieval streets, for example, you’ll come across precious such as that of the Civic Museum and Museum of Sacred Art or the Ranuccio Bianchi Bandinelli Archeological Museum, where archaeology does the talking. In the monumental complex of the women’s monastery of the same name is the San Pietro Museum, founded in the 17ᵗʰ century by Pietro Usimbardi and designed by Giorgio Vasari the Younger, divided into five sections tracing the history of the city.
For those who wish to stretch their gaze, head to the Baluardo, a fortification from where you can take in the panorama of the entire valley.
On a small hill opposite the castle stand the Church and Convent of San Francesco, built in the 13ᵗʰ century on the site where the first followers of the saint from Assisi gathered for communal prayers.
In Colle, history and modernity merge along the variant of Stage 32 of the Via Francigena, where contemporary art dialogues with the past.
The route begins near the Porta Nuova with Tadashi Kawamata’s wooden work symbolizing the passing of time, then continues to the Bastione di Sapia, where Ilya Kabakov’s marble column, The Weakening Voice, pierces the landscape.
The route then leads to the lift Il Baluardo, designed by Jean Nouvel and housing Red Girl by Kiki Smith.
Near the Crystal Museum, the Façade of the Bellini Chorus by Alberto Garutti introduces a short detour to Piazza Arnolfo—redeveloped thanks to works entrusted to Jean Nouvel—where the Spazio Michelucci, the Scalo Merci Don Gnocchi and the Crystal Shutter by Alessandra Tesi are located.
Returning to the main route, you’ll reach the Teatro del Popolo, where Marco Magni’s Column of Light illuminates the foyer with reflections that exalt the art of glass.